Kitty McNamee is a highly regarded choreographer, earning distinction from Dance Magazine as an artist with “an outsize talent for that most elusive gift, originality."
Kitty’s work as a choreographer is completely satisfying to me, on the most primal level. Her vision and voice come from a very inspired place that is uniquely original and yet taps into the sensuality, the confusion, the passion, the desire, the fear, the struggle, the joy that is life, and common for all of us.
Non-presentational, the dance happens unapologetically and without any need for approval. This is SO refreshing as an audience member, as an observer. Don’t ask anything of me, just do your thing and let me soak it all in. Like a beautiful painting that comes to life, or the intimacy of a couple fighting for power, or the internal dialogue that keeps us trapped, Kitty’s work is multi-layered and very special.
Kitty brings her passion and unique voice to tv, film and live performances. Recent work includes choreography for Lifetime's Petals on the Wind, Gwyneth Paltrow's The Restart Project, Secret Cinema’s ground-breaking live performances with Laura Marling in London, LA Philharmonic and Wet Design. She is also the artistic director of Hysterica Dance Company, a consistently prolific and invigorating force in the LA dance community.
A dear friend who I am constantly inspired by, I am happy to highlight her and her incredible work. Here is a taste of what she does and my interview with her to follow.
TNH: When did you find dance and when did your desire to make dances develop?
KM: I remember very clearly...the Joffrey 2 came to the small town I lived in in Ohio. As soon as I saw the company on stage a light bulb went off. I remember thinking "That's it! that's what I have been looking for!" Until then I had only seen dance in movie musicals. I wasn't able to start taking class until I was 16, and have been in love with it ever since.
TNH: What do you love about dance and being a choreographer?
KM: I think my favorite thing is how the dance and music fit together. I love music and it's exciting for me to unravel it's mysteries. I also enjoy connecting with my dancers and learning from them.
TNH: What are some of the challenges and rewards of running a dance company in Los Angeles?
KM: The reward is definitely working with amazing dancers who are as passionate about dance as I am. I think there is a very unfair stereotype that dancers in LA are not as well trained, talented or serious as dancers in NYC...which is completely inaccurate. The dancers here have a great range and because they also work commercially, they are very interested in digging into the more artistic side of things. Greatest challenge was always budget, not a lot of funding for dance in LA.
TNH: Do you read reviews or listen to feedback of your work? If so, how do separate the courage to create from the fear of how your work is received?
KM: I think it would be best to not read reviews, but who can resist! If you read them you will have to take the good with the bad. I can't really be worried about how the work will be received or I will freeze. I do welcome feedback from people who are knowledgable and sensitive, dancers who have worked for me in the past are a wonderful resource. Creating work is so personal, no one can do what I do...so i just get down to business and do it.
TNH: When you're casting dancers for a project, what do you look for?
KM: Professionalism, passion, drama and clarity.
TNH: What fuels your creativity?
KM: Challenge fuels my creativity. I think that is why I enjoy working in different mediums (opera, concert, TV, videos). They each have their own challenges which I find stimulating. Great dancers and great music fuel me as well. Curiosity fuels me; why do people relate as they do? What mystery can I discover within my dancers and the music?
TNH: Who have been the greatest creative influences in your life?
KM: That's a big question! I think at the beginning I was very influenced by the masters of modern dance...all of whom were women. I was fascinated by the way Isadora Duncan and Martha Graham were able to create something so original. I was inspired by their maverick spirit. At the height of Hysterica, my dancers and collaborators were a tremendous influence...tremendous inspiration.
TNH: What would be your ultimate dream job?
KM: I'm not sure that I have one ultimate dream job. I love mixing it up, going from TV/film work to opera and ballet. I find the tension between the "high and low" art very stimulating. I would love to create original choreography for a Broadway show. . . that would be amazing. I love telling a good story through dance!
TNH: Do you have any other thoughts or reflections to share?
KM: I feel very, very fortunate to make a living doing what I love!
Thank you, Kitty, for sharing with me. And thank you to those who have visited this page. For more monthly choreographer interviews and dance love, sign-up below, it's FREE!